Haines, Film Music Student Resources

Description

Students can access the author's audio and video interviews with workers in the film industry featured in Film Music: An Introduction in 11 Takes here on the book's Oxford Learning Link companion website.

Haines, Film Music Student Resources

Description

Explore Resources:

Author and translator Claudia Gorbman on the early days of film music studies

Composer and scholar Marco Alunno on the state of film music in Columbia

Canadian pianist John Kruspe on the silent film revival

Composer Janal Bechthold on “Zimmer Bots”

Argentinian film composer Dario Eskenazi on musical training in his home country

Ethnomusicologist Anna Morcom explains the appeal of Lata Mangeshkar

Iranian singer Sepideh Raissadat shares her experience training under Parisa in Teheran

The full scoop on temp love from Hollywood orchestrator Robert Elhai

Orchestral contractor Isobel Griffiths on composer packages

Mark Isham on making the music for Never Cry Wolf

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The full scoop on nineties soundtrack sales from music exec Anton Monste

Karen Han on playing for Rachel Portman in The Joy Luck Club

Anton Monsted on finding the right songs for Moulin Rouge!

Karen Han on the erhu in The Hurt Locker and Kung Fu Panda

Orchestrator Robert Elhai on Disney and the Chinese market

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Music executive Robert Kraft on working at Fox film studios

Music editor Peter Myles on manipulating emotions

Doug Dreger on recording sound in documentaries

Robert Israel on recording in the Czech Republic

Vocal contractor Eddie Lehman Boddicker on being in the same worker’s union as Tom Hanks

Peter Myles on what a Hollywood music editor does

Hollywood session musician Jim Self on the musicians strike of 1980

Songwriter and film composer Lisa Conway on making a one-woman score

Sound recorder Doug Dreger on the different types of microphones used in film shoots

Mark Graham of JoAnn Kane Music on orchestrating for John Williams

Composer Germaine Franco on Mexican music in Coco

Music exec Dawn Solér on making music for ABC shows today

Charlene Huang on moving from Remote Control Production to DreamWorks

Vocal contractor Eddie Lehman Boddicker on finding the right voices for Lion King and Dune

Doug Dreger on recording BBC series with and without music

Head of JoAnn Kane Music Mark Graham on music copying v. music preparation

Engineer Robert Wolff on how John Williams nearly gave up on Schindler’s List

Veteran Hollywood session musician Jim Self on playing for John Williams and Steven Spielberg

Film and video composer Brennan Mercer on using synthesizers today

Jane Tattersall on the importance of dialogue in The Handmaid’s Tale

Fox executive Robert Kraft on getting “My Heart Will Go On” in Titanic

Jane Tattersall on the facilities at Skywalker Sound

Music engineer Robert Wolff on ProTools Satellite Link

Music editor Peter Myles on the final dub

Composer Janal Bechthold on gaming music

Charlene Huang on being hired as music executive at Netflix

Violinist Brigit O’Regan on social media promotion of feature film

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