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This recording comes from the Smithsonian Jazz Oral History Program. In this excerpt, Art Farmer discusses his relationship with Lester Young. To hear this and other aural histories, visit: http://americanhistory.si.edu/smithsonian-jazz/collections-and-archives/smithsonian-jazz-oral-history-program
This recording comes from the Smithsonian Jazz Oral History Program. In this excerpt, Artie Shaw discusses "Begin the Beguine." To hear this and other aural histories, visit: http://americanhistory.si.edu/smithsonian-jazz/collections-and-archives/smithsonian-jazz-oral-history-program
This recording comes from the Smithsonian Jazz Oral History Program. In this excerpt, Benny Carter discusses his family. To hear this and other aural histories, visit: http://americanhistory.si.edu/smithsonian-jazz/collections-and-archives/smithsonian-jazz-oral-history-program
This recording comes from the Smithsonian Jazz Oral History Program. In this excerpt, Chick Corea discusses his first gig playing Latin music. To hear this and other aural histories, visit: http://americanhistory.si.edu/smithsonian-jazz/collections-and-archives/smithsonian-jazz-oral-history-program
This recording comes from the Smithsonian Jazz Oral History Program. In this excerpt, Carla Bley talks about how she first heard gospel and other popular music styles. To hear this and other aural histories, visit: http://americanhistory.si.edu/smithsonian-jazz/collections-and-archives/smithsonian-jazz-oral-history-program
This recording comes from the Smithsonian Jazz Oral History Program. In this excerpt, Dave Brubeck discusses his inspiration for "Blue Rondo a la Turk." To hear this and other aural histories, visit: http://americanhistory.si.edu/smithsonian-jazz/collections-and-archives/smithsonian-jazz-oral-history-program
This excerpt is taken from NPR's Jazz Profiles series. In it, Dave Brubeck tells about his early life. To hear the entire program, follow this link: http://www.npr.org/2008/12/24/98696418/dave-brubeck-in-his-own-sweet-way
This recording comes from the Smithsonian Jazz Oral History Program. In this excerpt,Gerald Wilson discusses how he came to arrange two pieces for Duke Ellington. To hear this and other aural histories, visit: http://americanhistory.si.edu/smithsonian-jazz/collections-and-archives/smithsonian-jazz-oral-history-program
This recording comes from the Smithsonian Jazz Oral History Program. In this excerpt, Trombonist J. J. Johnson discusses his relationship with Dizzy Gillespie. To hear this and other aural histories, visit: http://americanhistory.si.edu/smithsonian-jazz/collections-and-archives/smithsonian-jazz-oral-history-program
This recording comes from the Smithsonian Jazz Oral History Program. In this excerpt, Drummer Jimmy Cobb discusses the recording of Miles Davis' Kind of Blue. To hear this and other aural histories, visit: http://americanhistory.si.edu/smithsonian-jazz/collections-and-archives/smithsonian-jazz-oral-history-program
This excerpt is taken from a radio interview with John Coltrane in 1961. In it, he discusses how he came to appreciate free rhtym. To hear the full interview, please follow this link: http://www.johncoltrane.com/audioclips.html
This recording comes from the Smithsonian Jazz Oral History Program. In this excerpt, jazz vocalist Jon Hendricks remembers his close friend, pianist Thelonious Monk. To hear this and other aural histories, visit: http://americanhistory.si.edu/smithsonian-jazz/collections-and-archives/smithsonian-jazz-oral-history-program
This excerpt is taken from NPR's Jazz Profiles series. In it, jazz vocalist Nancy Wilson discusses the career of Bessie Smith. To hear the entire program, follow this link: www.npr.org/2008/05/07/90206287/bessie-smith-blues-empress
This recording comes from the Smithsonian Jazz Oral History Program. In this excerpt, Percy Heath discusses how John Lewis and Milt Hinton worked together in the Modern Jazz Quartet. To hear this and other aural histories, visit: http://americanhistory.si.edu/smithsonian-jazz/collections-and-archives/smithsonian-jazz-oral-history-program
This recording comes from the Smithsonian Jazz Oral History Program. In this excerpt, saxophonist Phil Woods recalls how Lennie Tristano took him to meet Charlie Parker. To hear this and other aural histories, visit: http://americanhistory.si.edu/smithsonian-jazz/collections-and-archives/smithsonian-jazz-oral-history-program
This recording comes from the Smithsonian Jazz Oral History Program. In this excerpt, bass player Ron Carter recalls how he served as the marker for Davis' Second Great Quintet. To hear this and other aural histories, visit: http://americanhistory.si.edu/smithsonian-jazz/collections-and-archives/smithsonian-jazz-oral-history-program
This excerpt is taken from an interview with Terence Blanchard on WUNC. In it, he discusses the relation of hip hop to jazz, his group the E Collective, and his days with Art Blakey. To hear the entire interview, follow this link: http://wunc.org/post/terence-blanchard-furthers-his-jazz-legacy#stream/0
This excerpt is taken from NPR's Jazz Profiles series. In it, Nancy Wilson discusses Tito Puente's Latin jazz style. To hear the entire program, follow this link: http://www.npr.org/2008/12/10/98051981/tito-puente-el-rey
This recording comes from the Smithsonian Jazz Oral History Program. In this excerpt, saxophone player Yusef Lateef remembers working with Charles Mingus. To hear this and other aural histories, visit: http://americanhistory.si.edu/smithsonian-jazz/collections-and-archives/smithsonian-jazz-oral-history-program
This performance of "Air Mail Special" by Count Basie and his Orchestra dates from the late '40s.
This clip of Glenn Miller's orchestra performing their hit "In the Mood" dates from the mid-'40s.
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