Document – Canto XIX of Dante’s Inferno

Abstract and Keywords

Dante Alighieri (1265 – 1321) was a Florentine poet who bridged the artistic cultures of the Middle Ages and of the Renaissance. Dante’s approach to his poetry foreshadowed the Renaissance with his use of vernacular Italian rather than Latin, and his frequent allusion to classical Greek and Roman literature and history. However, his subject matter was typically Medieval; the Divine Comedy trilogy concerns questions of salvation and of humanity’s relationship with God. It is designed as an imagined explorations of Hell (Inferno), Purgatory, and Paradise, set in the year 1300. Echoing some of the issues of the Investiture Controversy, Dante was also troubled with the church’s continued interest in secular matters, and the continued influence of secular leaders over the church. The following Canto from the first part of the Divine Comedy is about priests (especially popes) who bribed their way into office. To buy one’s office is the sin of simony, named for Simon Magus who in the New Testament Book of Acts attempted to buy the power of the Holy Spirit.

The Inferno of Dante Alghieri (London: JM Dent and Co. 1900)

Document

O -SIMON-MAGUS! O wretched followers of his and robbers ye, who prostitute the things of God, that should be wedded unto righteousness, for gold and, silver! now must the trump sound for you: for ye are in the third chasm.

Already we had mounted to the following grave, on that part of the cliff which hangs right over the middle of the fosse.

O Wisdom Supreme, what art thou showest in heaven, on earth and in the evil world, and how justly thy Goodness dispenses!

I saw the livid stone, on the sides and on the bottom, full of holes, all of one breadth; and each was round.

Not less wide they seemed to me, nor larger, than those that are in my beauteous San Giovanni made for stands to the baptizers;

one of which, not many years ago, I broke to save one that was drowning in it: and be this o, seal to undeceive all men.

From the mouth of each emerged a sinner's feet, and legs up to the calf; and the rest remained within.

The soles of all were both on fire: wherefore the joints quivered so strongly, that they would have snapped in pieces withes and grass-ropes.

As the flaming of things oiled moves only on their outer surface: so was it there, from the heels to the points.

"Master!i who is that who writhes himself, quivering more than all his fellows," I said, "and sucked by ruddier flame?"

And he to me: "If thou wilt have me carry thee down there, by that lower bank, thou shalt learn from him about himself and about his wrongs."

And 1: "Whatever pleases thee, to me is grateful: thou art my lord, and knowest that I depart, not from thy will; also thou knowest what is not spoken.

Then we came upon the fourth bulwark; we turned and descended, on the left hand, down there into the perforated and narrow bottom.

The kind Master did not yet depose me from his side, till he brought me to the cleft of him who so lamented with his legs.

"O whoe'er thou be that hast thy upper part beneath, unhappy spirit, planted like a stake!" I began to say; "if thou art able, speak."

I stood, like the friar who is confessing a treacherous assassin that, after being fixed, recalls him and thus delays the death;

and he cried: "Art thou thee already standing, Boniface?ii art thou there already standing? By several years the writ has lied to me.

Art thou so quickly sated with that wealth, for which thou didst not fear to seize the comely Lady- by deceit, and then make havoc of her? "

I became like those who stand as if bemocked, not comprehending what is answered to them, and unable to reply.

Then Virgil said: "Say to him quickly, 'I am not he, I am not he whom thou thinkest."' And I replied as was enjoined me.

Whereat the spirit quite wrenched his feet; thereafter, sighing and with voice of weeping, he said to me: "Then what askest thou of me?

If to know who I am concerneth thee so much, that thou hast therefore passed the bank, learn that I was clothed with the Great Mantle;iii

and verily I was a son of the She-bear, so eager to advance the Whelps, that I pursed wealth above, and here myself.

Beneath my head are dragged the others who preceded me in simony, cowering within the fissures of the stone.

I too shall fall down thither, when he comes for whom I took thee when I put the sudden question.

But longer is the time already that I have baked my feet and stood inverted thus, than he shall stand planted with glowing feet:

for after him, from westward, there shall come a lawless Shepherd, of uglier deeds, fit to cover him and me.

A new Jason will it be, of whom we read in Maccabees; and as to that high priest his king was pliant, so to this shall be lie who governs France."

I know not if here I was too hardy, for I answered him in this strain: "Ahi! now tell me how much treasure

Our Lord required of St. Peter, before he put the keys into his keeping? Surely he demanded nought but 'Follow me!"

Nor did Peter, nor the others, ask of Matthias gold or silver, when he was chosen for the office which the guilty soul had lost.

Therefore stay thou here, for thou art justly punished; and keep well the ill-got money, which against Charles made thee be bold."

And were it not that reverence for the Great Keysiv thou wieldest in the glad life yet hinders me,

I should use still heavier words: for your avarice grieves the world, trampling on the good, and raising up the wicked.

Shepherds such as ye the Evangelist perceived, when she, that sitteth on the waters, was seen by him committing fornication with the kings;

she that was born with seven heads, and in her ten horns had a witness so long as virtue pleased her spouse.

Ye have made you a god of gold and silver; and wherein do ye differ from the idolater, save that he worships one, and ye a hundred?

Ah Constantine! to how much ill gave birth, not thy conversion, but that dower which the first rich Father took from thee!

And whilst I sung these notes to him, whether it was rage or conscience gnawed him, he violently sprawled with both his feet.

And indeed I think it pleased my Guide, with so satisfied a look did he keep listening to the sound of the true words uttered.

Therefore with both his arms he took me; and, when he had me quite upon his breast, remounted by the path where he had descended.

Nor did he weary in holding me clasped to him, till he bore me away to the summit of the arch which is a crossway from the fourth to the fifth rampart.

Here he placidly set down the burden, pleasing to him on the rough steep cliff, which to the goats would be a painful passage; thence another valley was discovered to me.

Notes

Review

  1. 1. Dante blames the Donation of Constantine for causing simony in the papacy. This was believed to be a donation by Constantine the Great in the fourth century CE of land that became the Papal States. Why does Dante object to the Donation?

  2. 2. The Master that guides Dante through hell was the Roman poet Virgil; how is the poetic device of Virgil both Medieval and Renaissance in character?

  3. 3. The pope that Dante interviews is Nicholas III, who at first assumes Dante is Pope Boniface VIII. However, the poem is set in 1300 and Boniface will not die until 1303; how is Dante using this poem as an opportunity to criticize the contemporary church?

  4. 4. The Divine Comedy is filled with symbols and metaphors. What is the symbolic meaning of the holes in which the Simonaic popes are buried? What is the meaning of their burial headfirst?

Notes:

(i) He is addressing Virgil, his guide through the Inferno.

(ii) The sinner mistakes Dante for Pope Boniface VIII.

(iii) The robes of the papacy.

(iv) A reference to popes as the successors of Saint Peter, who holds the keys to the kingdom of heaven.

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