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Chapter 41 Quiz
The Modernist Revolution
Quiz Content
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What was the significance of Schoenberg's Second String Quartet, Op. 10?
This is the piece in which he broke decisively with tonality
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This is the piece in which he stopped using traditional forms and structures
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This is the piece in which he admitted that he was wrong about the end of the tonal system
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This is the piece in which he first used rhythms from Russian folk music
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Which of Stravinsky's ballets tells the story of a hapless puppet who comes to life?
The Firebird
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The Nutcracker
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Petrushka
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The Rite of Spring
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Which of Schoenberg's pupils wrote music that is often considered overly intellectual?
Berg
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Stravinsky
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Debussy
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Webern
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What two cities were the major centers of modernist composition?
Vienna and Leipzig
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Paris and Vienna
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Rome and New York City
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London and Berlin
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Debussy's opera
Pelléas et Mélisandre
represents a complete and absolute rejection of the music of Wagner, particularly the German composer's
Tristan und Isolde
.
True
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False
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Listen to the selection from
Prelude to the Afternoon of a Faun
by Debussy. How is this theme different from the opening theme of the piece?
Your browser does not support the audio element.
It has stronger tonal associations
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It is performed by woodwinds rather than strings
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It is in “free” meter, with no accents or time signature denoted in the score
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It is far more chromatic, leaving the realm of tonality entirely
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Listen to the excerpt from Stravinsky's
The Rite of Spring
. How does Stravinsky challenge traditional concepts of form with this material?
Your browser does not support the audio element.
He has the orchestra repeat a dissonant chord in unpredictable groups of beats rather than introducing and developing a theme
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He refuses to use traditional homophony, instead crafting dense polyphony from a variety of melodic ideas presented in tandem
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He focuses on one melody, repeated a number of times without development or variation
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This selection demonstrates his "free" approach to rhythm, in which each phrase is loosely and ephemerally performed at tempos decided by each individual performer
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Listen to the selection from the "Valse de Chopin" from Schoenberg's
Pierrot Lunaire
. How does the composer demonstrate his mastery of instrumental timbre in this passage?
Your browser does not support the audio element.
By exchanging the soprano and alto soloists on every other phrase
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By allowing the bass clarinet to subtly take over the clarinet's music
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By weaving percussion into the texture at seemingly random intervals
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By having the strings mimic the piano's chords a fraction of a second after they are played
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