Chapter 6 Quiz

. ___________ posted his Ninety-Five Theses in 1517, effectively beginning the Protestant Reformation.

. The ___________ was a strophic German hymn sung in the Lutheran church.

. Martin Luther severely limited musical singing in church, only allowing monophonic psalms to be sung.

. A continuous bass line, with realized harmonies, is called ___________.

. In its original sense, "concertato style" refers to ___________.

. Marco Cara was a noted Italian composer of frottole.

. Which of the following is not an example of vernacular song in sixteenth-century Europe?

. Which of the following is not a characteristic of the sixteenth-century madrigal?

. The poetry of Petrarch was frequently set in sixteenth-century ___________.

. The vocal and instrumental piece In ecclesiis was composed by ___________.

. Which composer was roundly criticized by Giovanni Artusi for breaking the traditional rules of counterpoint?

. The early Italian madrigal was dominated by Franco-Flemish composers, but Italian composers gradually took over the genre.

. Which of the following does not describe Orlando di Lasso?

. The Italian madrigal is the best representative of sixteenth-century "literary" music.

. Of the following, who was known for composing English madrigals?

. ___________ posted his Ninety-Five Theses in 1517, effectively beginning the Protestant Reformation.

. The ___________ was a strophic German hymn sung in the Lutheran church.

. Martin Luther severely limited musical singing in church, only allowing monophonic psalms to be sung.

. A continuous bass line, with realized harmonies, is called ___________.

. In its original sense, "concertato style" refers to ___________.

. Marco Cara was a noted Italian composer of frottole.

. Which of the following is not an example of vernacular song in sixteenth-century Europe?

. Which of the following is not a characteristic of the sixteenth-century madrigal?

. The poetry of Petrarch was frequently set in sixteenth-century ___________.

. The vocal and instrumental piece In ecclesiis was composed by ___________.

. Which composer was roundly criticized by Giovanni Artusi for breaking the traditional rules of counterpoint?

. The early Italian madrigal was dominated by Franco-Flemish composers, but Italian composers gradually took over the genre.

. Which of the following does not describe Orlando di Lasso?

. The Italian madrigal is the best representative of sixteenth-century "literary" music.

. Of the following, who was known for composing English madrigals?

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