Aletti, Vince. “Dancing Madness: The Disco Sound.” Rolling Stone, August 28, 1975, 43, 50, 56.
Attali, Jacques. Noise: The Political Economy of Music. Trans. Brian Massumi. Minneapolis: University of Minnesota Press, 1985.
Bangs, Lester. “Dead Lie the Velvet Underground.” Creem, May 1971, 44–49, 64–67.
___________. Review of Black Sabbath, Master of Reality, in The Rolling Stone Record Review Volume II, 308–11. New York: Pocket Books, 1974. First published in Rolling Stone, November 25, 1971.
___________. “Bring Your Mother to the Gas Chamber (Part 1).” Creem, June 1972, 40ff.
___________. “Bring Your Mother to the Gas Chamber: Black Sabbath and the Straight Dope on Blood-Lust Orgies, Part 2.” Creem, July 1972, 47ff.
Baraka, Amiri. “The Changing Same (R&B and New Black Music).” In Black Music, 180–211. New York: William Morrow, 1967.
Barnes, Ken. “Top 40 Radio: A Fragment of the Imagination.” In Facing the Music, ed. Simon Frith, 8–50. New York: Pantheon Books, 1988.
Beckett, Alan, and Richard Merton. “Stones/Comment.” In The Age of Rock: Sounds of the American Cultural Revolution, ed. Jonathan Eisen, 109–17. New York: Random House, 1969. Originally published in New Left Review 47 (1968).
Bodroghkozy, Aniko. Groove Tube: Sixties Television and the Youth Rebellion. Durham, N.C.: Duke University Press, 2001.
Book, John. “Seattle Heavy.” Goldmine, April 17, 1992, 46–54.
Brackett, David. Categorizing Sound: Genre and Twentieth-Century Popular Music. Oakland: University of California Press, 2016.
___________. Interpreting Popular Music. Berkeley: University of California Press, [1995] 2000.
___________. “Music.” In Key Terms in Popular Music and Culture, ed. Bruce Horner and Thomas Swiss, 124–40. Malden, Mass.: Blackwell, 1999.
___________. “(In Search of) Musical Meaning: Genres, Categories, and Crossover.” In Popular Music Studies, ed. David Hesmondhalgh and Keith Negus, 65–82. London: Arnold, 2002.
___________. “‘Where’s It At’: Postmodern Theory and the Contemporary Musical Field.” In Postmodern Music/Postmodern Thought, ed. Judy Lochhead and Joseph Auner, 207–31. New York: Routledge, 2002.
Bradby, Barbara. “Do-Talk and Don’t-Talk: The Division of the Subject in Girl-Group Music.” In On Record: Rock, Pop and the Written Word, ed. Simon Frith and Andrew Goodwin, 341–69. New York: Routledge, 1990.
Bromell, Nick. Tomorrow Never Knows: Rock and Psychedelics in the 1960s. Chicago: University of Chicago Press, 2000.
Broven, John. Record Makers and Breakers: Voices of the Independent Rock 'n' Roll Pioneers.
Urbana: University of Illinois Press, 2009.
Burroughs, William. “Rock Magic: Jimmy Page, Led Zeppelin, and a Search for the Elusive Stairway to Heaven.” Crawdaddy, June 1975, 34–35, 39–40.
Cantwell, Robert. When We Were Good: The Folk Revival. Cambridge, Mass.: Harvard University Press, 1996.
Carby, Hazel V. “‘It Jus’ Be’s Dat Way Sometime’: The Sexual Politics of Women’s Blues.” Radical America 20, no. 4 (1986): 9–24. Reprinted in Keeping Time: Readings in Jazz History, ed. Robert Walser, 351–65. New York: Oxford University Press, 1999.
Carman, Bryan. A Race of Singers: Whitman’s Working-Class Hero from Guthrie to Springsteen. Chapel Hill: University of North Carolina Press, 2000.
Cavicchi, Daniel. Tramps Like Us: Music and Meaning among Springsteen Fans. New York: Oxford University Press, 1998.
Chang, Jeff. “Word Power: A Brief, Highly Opinionated History of Hip-Hop Journalism.” In Pop Music and the Press, ed. Steve Jones, 65–71. Philadelphia: Temple University Press, 2002.
Chapple, Steve, and Reebee Garofalo. Rock ‘n’ Roll Is Here to Pay. Chicago: Nelson-Hall, 1977.
Charters, Samuel. The Roots of the Blues: An African Search. New York: Da Capo Press, 1981.
Chester, Andrew. “Second Thoughts on a Rock Aesthetic: The Band.” New Left Review 62 (1970): 75–82.
Chilton, John. Let the Good Times Roll: The Story of Louis Jordan and His Music. Ann Arbor: University of Michigan Press, 1997.
Ching, Barbara. Wrong’s What I Do Best: Hard Country Music and Contemporary Culture. New York: Oxford University Press, 2001.
Christgau, Robert. “Rock Lyrics Are Poetry (Maybe).” In The Age of Rock: Sounds of the American Cultural Revolution, ed. Jonathan Eisen, 230–43. New York: Random House, 1969. First published in Cheetah, December 1967.
___________. “A Cult Explodes—and a Movement Is Born.” Village Voice, October 24, 1977, 57, 68–74.
___________. “Jesus, Jews, and the Jackass Theory.” Village Voice, January 16, 1990, 83–86.
___________. Any Old Way You Choose It: Rock and Other Pop Music, 1967–1973. New York: Viking Press, 1973.
Chuck D (with Yusuf Jah). Fight the Power: Rap, Race, and Reality. New York: Delacorte Press, 1997.
Cleave, Maureen. “How Does a Beatle Live? John Lennon Lives Like This.” Evening Standard, March 4, 1966.
Cohen, Ronald D. Rainbow Quest: The Folk Music Revival and American Society, 1940–1970. Amherst: University of Massachusetts Press, 2002.
Coleman, Ray. “Would You Let Your Sister Go with a Rolling Stone?” Melody Maker, March 14, 1964, 8.
Collins, Matthew. Altered State: The Story of Ecstasy Culture and Acid House. London: Serpent’s Tail, 1997.
Coon, Caroline. 1988: The New Wave Punk Rock Explosion. London: Omnibus Press, 1977.
Coppage, Noel. “Troubadettes, Troubadoras, and Troubadines . . . or . . . What’s a Nice Girl Like You Doing in a Business Like This?” Stereo Review, September 1972, 58–61.
Covach, John. “Progressive Rock, ‘Close to the Edge,’ and the Boundaries of Style.” In Understanding Rock: Essays in Musical Analysis, ed. John Covach and Graeme M. Boone, 3–31. New York and Oxford: Oxford University Press, 1997.
Crawford, Richard. America’s Music Life: A History. New York: W. W. Norton, 2001.
Crowe, Cameron. “Jimmy Page and Robert Plant Talk.” Rolling Stone, March 13, 1975, 33–37.
Crowther, Bosley. “The Four Beatles in ‘A Hard Day’s Night.’” New York Times, August 12, 1964, 41.
Davis, Angela Y. Blues Legacies and Black Feminism: Gertrude “Ma” Rainey, Bessie Smith, and Billie Holiday. New York: Vintage Books, 1999.
DeCurtis, Anthony. “The Athens Scene.” In Rocking My Life Away: Writing about Music and Other Matters, 21–27. Durham, N.C.: Duke University Press, [1981] 1998.
DeCurtis, Anthony, and James Henke with Holly George-Warren, eds. The Rolling Stone Illustrated History of Rock and Roll. 3rd rev. ed. New York: Random House, 1992.
DeVeaux, Scott. “Constructing the Jazz Tradition: Jazz Historiography.” Black American Literature Forum 25, no. 3 (Fall 1991): 525–60.
___________. The Birth of Bebop: A Social and Musical History. Berkeley: University of California Press, 1997.
Eisen, Jonathan, ed. The Age of Rock: Sounds of the American Cultural Revolution. New York: Random House, 1969.
___________. The Age of Rock 2: Sights and Sounds of the American Cultural Revolution. New York: Random House, 1970.
Ellison, Ralph. “Blues People.” In Shadow and Act, 247–58. New York: Vintage Books, [1964] 1972.
Ennis, Philip T. The Seventh Stream: The Emergence of Rocknroll in American Popular Music. Hanover, N.H.: University Press of New England, 1992.
Erlmann, Veit. “The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s.” Public Culture 8 (1996): 467–87.
Faludi, Susan. Backlash: The Undeclared War against Women. New York: Crown, 1991.
Fariña, Richard. “Baez and Dylan: A Generation Singing Out.” Mademoiselle, August 1964. Reprinted in The Dylan Companion, ed. Elizabeth Thomson and David Gutman, 81–88. New York: Delta, 1990.
Farren, Mick, and Pearce Marchbank. Elvis in His Own Words. London: Omnibus Press, 1977.
Fast, Susan. In the Houses of the Holy: Led Zeppelin and the Power of Rock Music. New York: Oxford University Press, 2001.
Filene, Benjamin. Romancing the Folk: Public Memory and American Roots Music. Chapel Hill: University of North Carolina Press, 2000.
Fitzgerald, Jon. “Motown Crossover Hits 1963–1966 and the Creative Process.” Popular Music 14 (January 1995): 1–12.
Flippo, Chet. Your Cheatin’ Heart: A Biography of Hank Williams. Garden City, N.Y.: Doubleday, 1981.
Floyd, Samuel. The Power of Black Music: Interpreting Its History from Africa to the United States. New York: Oxford University Press, 1995.
Franklin, Aretha (and David Ritz). Aretha: From These Roots. New York: Villard, 1999.
Fricke, David. “Heavy Metal Justice.” Rolling Stone, January 12, 1989, 42–49.
Frith, Simon. “Beyond the Dole Queue: The Politics of Punk.” Village Voice, October 24, 1977, 77–79.
___________. “‘The Magic That Can Set You Free’: The Ideology of Folk and the Myth of the Rock Community.” In Popular Music 1: Folk or Popular? Distinctions, Influences, Continuities, ed. David Horn and Richard Middleton, 159–68. Cambridge, UK: Cambridge University Press, 1981.
___________. Sound Effects. New York: Pantheon Books, 1981.
___________. Performing Rites: On the Value of Popular Music. Cambridge, Mass.: Harvard University Press, 1996.
Frith, Simon, and Howard Horne. Art into Pop. London: Methuen, 1987.
Garofalo, Reebee. Rockin’ Out: Popular Music in the USA. Boston: Allyn and Bacon, 1997.
___________. “Setting the Record Straight: Censorship and Social Responsibility in Popular Music.” Journal of Popular Music Studies 6 (1994): 1–37.
Gendron, Bernard. Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde. Chicago: University of Chicago Press, 2002.
George, Nelson. Where Did Our Love Go? The Rise and Fall of the Motown Sound. New York: St. Martin’s Press, 1985.
Goldstein, Richard. “We Still Need the Beatles, but. . . .” New York Times, June 18, 1967, sec. 2, 24.
___________. “Pop Eye: I Blew My Cool through the New York Times.” Village Voice, July 20, 1967, 14, 25–26.
Green, Archie. “Hillbilly Music: Source and Symbol.” Journal of American Folklore 78 (July–September 1965): 204–28.
Greenfield, Robert. “Keith Richard: Got to Keep It Growing.” In The Rolling Stone Interviews, Vol. 2. New York: Straight Arrow, 1973. First published in Rolling Stone, August 1971.
Grossberg, Lawrence. “Same As It Ever Was? Rock Culture. Same As It Ever Was! Rock Theory.” In Stars Don’t Stand Still in the Sky: Music and Myth, ed. Karen Kelly and Evelyn McDonnell, 99–121. New York: New York University Press, 1999.
Guralnick, Peter. Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom. New York: Harper and Row, 1986.
Hajdu, David. Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña, and Richard Fariña. New York: Farrar, Straus and Giroux, 2001.
Hamm, Charles. Yesterdays: Popular Song in America. New York: W. W. Norton, 1979.
___________. Music in the New World. New York: W. W. Norton, 1983.
___________. Putting Popular Music in Its Place. Cambridge, UK: Cambridge University Press, 1995.
hampton, dream. “Snoop Doggy Dogg: G-Down,” The Source, September 1993, 64–70.
Harrison, Daphne Duval. Black Pearls: Blues Queens of the 1920s. New Brunswick, N.J.: Rutgers University Press, 1988.
Headlam, Dave. “Does the Song Remain the Same? Questions of Authorship and Identification in the Music of Led Zeppelin.” In Concert Music, Rock, and Jazz since 1945: Essays and Analytical Studies, ed. Elizabeth West Marvin and Richard Hermann, 313–63. Rochester, N.Y.: University of Rochester Press, 1995.
Hebdige, Dick. Subculture: The Meaning of Style. London: Methuen, 1979.
Hentoff, Nat. “The Playboy Interview: Bob Dylan—A Candid Conversation with the Iconoclastic Idol of the Folk-Rock Set.” Playboy, March 1966; reprinted in Bob Dylan: The Early Years; A Retrospective, ed. Craig McGregor, 132–33. New York: Da Capo Press, [1972] 1990.
Heylin, Clinton, ed. The Da Capo Book of Rock and Roll Writing. New York: Da Capo Press, [1992] 2000.
Hill, Trent. “The Enemy Within: Censorship in Rock Music in the 1950s.” South Atlantic Quarterly 90 (Fall 1991): 675–708.
Hirshey, Gerri. Nowhere to Run: The Story of Soul Music. New York: Penguin Books, [1984] 1985.
Holden, Stephen. “The Evolution of a Dance Craze.” Rolling Stone, April 19, 1979, 29.
hooks, bell. “Madonna: Plantation Mistress or Soul Sister?” In Black Looks: Race and Representation, 157–64. Boston: South End Press, 1992.
Jackson, John A. American Bandstand: Dick Clark and the Making of a Rock ‘n’ Roll Empire. New York: Oxford University Press, 1997.
Jameson, Fredric. “Postmodernism, or the Cultural Logic of Late Capitalism.” New Left Review 146 (July–August 1984): 59–92. Reprinted in Fredric Jameson, Postmodernism, or the Cultural Logic of Late Capitalism, 1–54. Durham, N.C.: Duke University Press, 1991.
Jatta, Sidia. “Born Musicians: Traditional Music from the Gambia.” In Repercussions: A Celebration of African-American Music, ed. Geoffrey Haydon and Dennis Marks, 14–29. London: Century, 1985.
Jones, Steve, ed. Pop Music and the Press. Philadelphia: Temple University Press, 2002.
Jones, Steve, and Martin Sorger. “Covering Music: A Brief History and Analysis of Album Cover Design.” Journal of Popular Music Studies 11–12 (1999–2000): 68–102.
Kaplan, E. Ann. Rocking around the Clock: Music Television, Postmodernism and Consumer Culture. London: Methuen, 1987.
Keathley, Elizabeth. “Eminem’s Murder Ballads.” Echo 4, no. 2 (Fall 2002), http://www.humnet.ucla .edu/echo/volume4-issue2/keathley/index.html.
Keightley, Keir. “Around the World: Musical Tourism and the Globalization of the Record Industry, 1946–66.” Unpublished manuscript, 1998.
Keil, Charles. Urban Blues. Chicago: University of Chicago Press, 1966.
Keil, Charles, and Steven Feld. Music Grooves: Essays and Dialogues. Chicago: University of Chicago Press, 1994.
Kelley, Robin D. G. “Kickin’ Reality, Kickin’ Ballistics: ‘Gangsta Rap’ and Postindustrial Los Angeles.” In Race Rebels: Culture, Politics, and the Black Working Class, 183–227. New York: Free Press, 1994.
Kopkind, Andrew. “Woodstock Nation.” In The Age of Rock 2: Sights and Sounds of the American Cultural Revolution, ed. Jonathan Eisen, 312–18. New York: Random House, 1970.
Kruse, Holly. “Subcultural Identity in Alternative Music Culture.” Popular Music 12 (January 1993): 33–41.
Landau, Jon. “Rock and Art.” Rolling Stone, July 20, 1968, 18–19.
Latham, Aaron. “The Ballad of the Urban Cowboy: America’s Search for True Grit.” Esquire, September 12, 1978, 21–30.
Lipsitz, George. Time Passages: Collective Memory and American Popular Culture. Minneapolis: University of Minnesota Press, 1990.
Macan, Edward. Rocking the Classics: English Progressive Rock and the Counterculture. New York: Oxford University Press, 1997.
Magee, Jeffrey. “Before Louis: When Fletcher Henderson Was the ‘Paul Whiteman of the Race.’” American Music 18 (Winter 2000): 391–425.
Mailer, Norman. “The White Negro: Superficial Reflections on the Hipster.” Dissent, Summer 1957, 276–93.
Malone, Bill. Country Music U.S.A. Rev. ed. Austin: University of Texas Press, 1985.
Manheim, James M. “B-side Sentimentalizer: ‘Tennessee Waltz’ in the History of Popular Music.” Musical Quarterly 76 (Fall 1992): 37–56.
Manuel, Peter. Caribbean Currents: Caribbean Music from Rumba to Reggae. Philadelphia: Temple University Press, 1995.
Marcus, Greil. Mystery Train: Images of America in Rock ‘n’ Roll Music. 3rd rev. ed. New York: Plume, [1975] 1990.
___________. Dead Elvis: A Chronicle of a Cultural Obsession. New York: Doubleday, 1991.
___________. Invisible Republic: Bob Dylan’s Basement Tapes. New York: Henry Holt, 1997.
___________. “Death Letters.” In Listen Again: A Momentary History of Pop Music, ed. Eric Weisbard, 296–305. Durham, N.C.: Duke University Press, 2007.
Marsh, Dave. The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made. New York: Da Capo Press, [1989] 1999.
___________. “Live through This.” Rock ‘n’ Roll Confidential, May 1994, 1–8.
McClary, Susan. “Living to Tell: Madonna’s Resurrection of the Fleshy.” In Feminine Endings, 148–66. Minneapolis: University of Minnesota Press, 1991.
McKeen, William, ed. Rock and Roll Is Here to Stay: An Anthology. New York: W. W. Norton, 2000.
McLeese, Don. “Anatomy of an Anti-Disco Riot.” In These Times, August 29–September 4, 1979, 23.
McLeod, Kembrew. “The Politics and History of Hip-Hop Journalism.” In Pop Music and the Press, ed. Steve Jones, 156–67. Philadelphia: Temple University Press, 2002.
___________. “MP3s Are Killing Home Taping: The Rise of Internet Distribution and Its Challenge to the Major Label Music Monopoly.” Popular Music and Society 28, no. 4 (October 2005): 521–31.
McLuhan, Marshall. Understanding Media: The Extensions of Man. New York: Signet Books, 1964.
Mercer, Kobena. “Monster Metaphors: Notes on Michael Jackson’s Thriller.” Screen 27, no. 1 (1986). Reprinted in Sound and Vision: The Music Video Reader, ed. Simon Frith, Andrew Goodwin, and Lawrence Grossberg, 93–108. London and New York: Routledge, 1993.
Middleton, Jason, and Roger Beebe. “The Racial Politics of Hybridity and ‘Neo-Eclecticism’ Contemporary Popular Music.” Popular Music 21 (May 2002): 159–72.
Middleton, Richard. “All Shook Up.” In The Elvis Reader: Texts and Sources on the King of Rock ‘n’ Roll, ed. K. Quain, 3–12. New York: St. Martin’s Press, 1992.
Modleski, Tania. Feminism without Women: Culture and Criticism in a “Postfeminist Age.” New York: Routledge, 1991.
Negus, Keith. Music Genres and Corporate Cultures. New York: Routledge, 1999.
Oliver, Paul. Savannah Syncopators: African Retentions in the Blues. New York: Stein and Day, 1970.
___________. Songsters and Saints: Vocal Traditions on Race Records. Cambridge, UK: Cambridge University Press, 1984.
Palmer, Robert. Deep Blues. New York: Penguin, [1981] 1985.
___________. Rock and Roll: An Unruly History. New York: Harmony Books, 1995.
Pareles, Jon. “How Rap Moves to Television’s Beat.” New York Times, January 14, 1990, sec. 2, 1–2.
Parsons, Michael. “Rolling Stones.” In The Age of Rock: Sounds of the American Cultural Revolution, ed. Jonathon Eisen, 118–20. New York: Random House, 1970.
Peterson, Richard. Creating Country Music: Fabricating Authenticity. Chicago: University of Chicago Press, 1997.
Peterson, Richard, and David G. Berger. “Cycles in Symbol Production: The Case of Popular Music.” American Sociological Review 40 (1975). Reprinted in On Record: Rock, Pop, and the Written Word, ed. Simon Frith and Andrew Goodwin, 140–59. New York: Pantheon, 1990.
Post, Henry. “Sour Notes at the Hottest Disco.” Esquire, June 20, 1978, 79–86.
Powers, Ann. “When Women Venture Forth.” New York Times, October 9, 1994, 39.
Pugliese, Stanislao G., ed. History, Identity, and Italian American Culture. New York: Palgrave, 2004.
Puterbaugh, Parke. “Anglomania: American Surrenders to the Brits—But Who Really Wins?” Rolling Stone, November 10, 1983, 31–32.
Ramsey, Guthrie P., Jr. Race Music: Black Culture from Bebop to Hip-Hop. Berkeley: University of California Press, 2003.
Reynolds, Simon. Generation Ecstasy: Into the World of Techno and Rave Culture. New York: Routledge, [1998] 1999.
Roberts, John Storm. The Latin Tinge: The Impact of Latin American Music on the United States. 2nd ed. New York: Oxford University Press, [1979] 1999
Rockwell, John. “The Artistic Success of Talking Heads.” New York Times, September 11, 1977, D14, 16.
___________. All-American Music: Composition in the Late Twentieth Century. New York: Vintage Books, 1984.
Rodgers, Jeffrey Pepper. “My Secret Place: The Guitar Odyssey of Joni Mitchell.” In The Joni Mitchell Companion: Four Decades of Commentary, ed. Stacey Luftig, 219–30. New York: Schirmer Books, 2000.
Rodman, Gilbert. Elvis after Elvis: The Posthumous Career of a Living Legend. London: Routledge, 1996.
The Rolling Stone Record Review. New York: Pocket Books, 1971.
The Rolling Stone Record Review, Volume 2. New York: Pocket Books, 1974.
Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover, N.H.: Wesleyan University Press and University Press of New England, 1994.
Rosenthal, David H. Hard Bop: Jazz and Black Music, 1955–1965. New York: Oxford University Press, 1992.
Ruhlmann, William. “Joni Mitchell: From Blue to Indigo.” Goldmine, February 17, 1995; reprinted in The Joni Mitchell Companion: Four Decades of Commentary, ed. Stacey Luftig, 21–40. New York: Schirmer Books, 2000.
Rumble, John. “The Roots of Rock and Roll: Henry Glover of King Records.” Journal of Country Music 14, no. 2 (1992): 30–42.
Ryan, John. The Production of Culture in the Music Industry: The ASCAP-BMI Controversy. Lanham, Md.: University Press of America, 1985.
Samuels, David. “The Rap on Rap: The ‘Black Music’ that Isn’t Either.” New Republic, November 11, 1991, 24–29.
Sanjek, David. “One Size Does Not Fit All: The Precarious Position of the African American Entrepreneur in Post-WWII American Popular Music.” American Music 15 (Winter 1997): 535–62.
Sanjek, Russell, and David Sanjek. Pennies from Heaven: The American Popular Music Business in the Twentieth Century. New York: Da Capo Press, 1996.
Savage, Jon. “Machine Soul: A History of Techno.” Village Voice Rock and Roll Quarterly (Summer 1993): 19.
Schuller, Gunther. The Swing Era: The Development of Jazz, 1930–1945. New York: Oxford University Press, 1989.
Schwichtenberg, Cathy. The Madonna Connection: Representational Politics, Subcultural Identities, and Cultural Theory. Boulder, Colo.: Westview Press, 1993.
Shank, Barry. Dissonant Identities: The Rock ‘n’ Roll Scene in Austin, Texas. Hanover, N.H.: Wesleyan University Press and University Press of New England, 1994.
Shelton, Robert. “Bob Dylan: A Distinctive Folk-Song Stylist.” New York Times, September 29, 1961. Reprinted in Bob Dylan: The Early Years: A Retrospective, ed. Craig McGregor, 17–18. New York: Da Capo Press, [1972] 1990.
___________. “On Records: The Folk-Rock Rage,” New York Times, January 30, 1966, 17–18.
Siegel, Jules. “A Teen-age Hymn to God.” In Rock and Roll Is Here to Stay: An Anthology, ed. William McKeen, 387–99. New York: W. W. Norton and Company, 2000. First published in Cheetah, October 1967.
Silcott, Mireille. Rave America: New School Dancescapes. Toronto: ECW Press, 1999.
Slater, Jack. “A Sense of Wonder.” New York Times Magazine, February 23, 1975, 18, 21–23, 26–32.
Smith, Jeff. The Sounds of Commerce: Marketing Popular Film Music. New York: Columbia University Press, 1998.
Smith, Paul, ed. Madonnarama: Essays on Sex and Popular Culture. Pittsburgh, Pa: Cleis Press, 1993.
Sontag, Susan. “Notes on ‘Camp.’” In Against Interpretation and Other Essays, 275–92. New York: Anchor Books, [1964] 1990.
Spector, Ronnie (with Vince Waldron). Be My Baby: How I Survived Mascara, Miniskirts, and Madness or My Life as a Fabulous Ronette. New York: HarperPerennial, 1990.
Tate, Greg. Flyboy in the Buttermilk: Essays on Contemporary America. New York: Fireside/Simon and Schuster, 1992.
___________. “Diatribe.” Village Voice, September 3, 1996, 46.
Taylor, Timothy D. Global Pop: World Music, World Markets. New York: Routledge, 1997.
Thornton, Sarah. Club Cultures: Music, Media and Subcultural Capital. Hanover, N.H.: Wesleyan University Press and University Press of New England, 1996.
Toop, David. Rap Attack 2: African Rap to Global Hip Hop. London: Serpent’s Tail, 1991.
Touré. “The Family Way: The Hiphop Crew as Center of the World.” Village Voice, October 10, 1995, 49.
Townshend, Peter. Review of “The Who: Meaty, Beaty, Big, and Bouncy.” Rolling Stone, December 7, 1971.
Trakin, Roy. “Avant Kindergarten [Sturm and Drone].” Soho Weekly News, January 26, 1978, 31, 37.
Vincent, Rickey. Funk: The Music, the People, and the Rhythm of the One. New York: St. Martin’s Griffin, 1996.
Vito, R. “The Chuck Berry Style: A Modern Rocker Pays Tribute to the Master.” Guitar Player, June 1984, 72–75.
Waksman, Steve. Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience. Cambridge, Mass.: Harvard University Press, 1999.
___________. “Grand Funk Live! Staging Rock in the Age of the Arena.” In Listen Again: A Momentary History of Pop Music, ed. Eric Weisbard, 157–71. Durham, N.C.: Duke University Press, 2007.
Wallace, Michele. “Michael Jackson, Black Modernisms and ‘The Ecstasy of Communication.” In Invisibility Blues: From Pop to Theory, 77–90. London: Verso, 1990.
Walser, Robert. Running with the Devil: Power, Gender and Madness in Heavy Metal Music. Hanover, N.H.: Wesleyan University Press and University Press of New England, 1993.
___________. “Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy.” Ethnomusicology 39 (1995): 193–217.
___________, ed. Keeping Time: Readings in Jazz History. New York: Oxford University Press, 1999.
Warwick, Jacqueline. Girl Groups, Girl Culture: Popular Music and Identity in the 1960s. New York: Routledge, 2007.
Weissman, Dick. Which Side Are You On? An Inside History of the Folk Music Revival in America. New York: Continuum, 2006.
Welch, Chris. “Jimmy Page, Part Three.” Melody Maker, February 28, 1970, 10.
Wenner, Jann. Lennon Remembers: The Rolling Stone Interviews. New York: Popular Library, 1971.
Whitesell, Lloyd. “Harmonic Palette in Early Joni Mitchell.” Popular Music 21 (May 2002): 173–94.
Wilder, Alec. American Popular Song: The Great Innovators, 1900–1950. New York: Oxford University Press, 1972.
Willis, Ellen. Beginning to See the Light: Sex, Hope, and Rock-and-Roll. Hanover, N.H.: Wesleyan University Press and University Press of New England, 1992.
Willis, Susan. “I Want the Black One: Is There a Place for Afro-American Culture in Commodity Culture?” In A Primer for Daily Life, 108–32. London: Routledge, 1991.
Wolfe, Charles. “Presley and the Gospel Tradition.” In The Elvis Reader: Texts and Sources on the King of Rock ‘n’ Roll, ed. K. Quain, 13–27. New York: St. Martin’s Press, 1992.
Wolfe, Tom. Electric Kool-Aid Acid Test. New York: Farrar, Straus and Giroux, 1968.
___________.”The First Tycoon of Teen.” In The Kandy-Kolored Tangerine-Flake Streamline Baby, 47–61. New York: Pocket Books, 1966.
Young, Charles M. “Rock Is Sick and Living in London: A Report on the Sex Pistols.” Rolling Stone, October 20, 1977, 68–75.
Zabor, Rafi, and Vic Garbarini, “Wynton Vs. Herbie: The Purist and the Crossbreeder Duke It Out.” Musician, March 1985, 52–64. Reprinted in Robert Walser, ed., Keeping Time: Readings in Jazz History, 339–51. New York: Oxford University Press, 1999.
Zappa, Frank. “Statement to Congress, 19 September 1985.” In The Da Capo Book of Rock and Roll Writing, ed. Clinton Heylin, 501–08. New York: Da Capo Press, [1992] 2000.