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Chapter 5 Quiz 2
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Chapter 5 Quiz 2
Protestant Church Music
Quiz Content
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Which is NOT a stylistic means by which Protestants created a distinct musical tradition from that of the Catholic faith?
They wrote their works in the language of the people, also known as the vernacular.
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Their sacred music was intended for performance by highly skilled soloists.
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They developed new forms of chant to replace the old Gregorian models.
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They wrote their works in German, the language of Martin Luther, regardless of where they would be used in a worship service.
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Which is a similarity between the Baroque Lutheran church service and the mass?
Both were enacted in the language of the people, or vernacular.
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None, as Martin Luther insisted on a complete departure from Catholic tradition.
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Both included specific readings from the Bible for particular Sundays and holidays.
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Neither allowed the use of musical instruments other than the human voice.
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Which of the following was part J.S. Bach's responsibilities as cantor at St. Thomas Church in Leipzig?
Teach the sons and daughters of the King of Leipzig
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Oversee the music at three churches
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Compose a new work each Sunday of the church year
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All of the above
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In which locale or group of locales could one have heard a cantata during the Baroque era?
Coffeeshops, monasteries
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Lutheran churches only
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Private homes only
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Lutheran churches, theaters
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What aspect of the cantata led to its evolution into a secular form?
Its polytextual derivation.
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Its orchestration.
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Its sectional structure.
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Its use of the vernacular, rather than Latin.
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Which statement about Martin Luther's hymn
A Mighty Fortress is Our God
is true?
It shares nothing whatsoever with any Catholic musical tradition.
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It was relatively unknown and obscure until scholars found the manuscript in 2004.
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It is written for four voices, with the melody in the tenor or highest male voice.
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Like many chants in both the Jewish and Catholic traditions, its text is drawn from a Psalm.
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J. S. Bach did NOT compose any pieces in what important genre?
Organum
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Cantata
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Opera
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Piano miniature
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Which of J. S. Bach's children composed in a style most similar to his father's?
Wilhelm Friedemann
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Carl Philipp Emanuel
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Johann Christian
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Johann Christoph Friedrich
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J. S. Bach's works weren't performed for the public with any frequency until when?
Immediately-he was famous across Europe during his lifetime.
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Not until very recently, in the late 1990s
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Only when his works were "rediscovered" in the early 1800s
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During the Allied advance until World War II
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Luther believed that the congregation should participate in the music of worship services, and as a result:
Protestant hymn texts were written in the language of the people.
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The melody was always in the top voice so that it would be easy to hear and follow.
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The rhythms of hymns are steady and regular.
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All of the above.
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What were common devices used by Bach and others to create a sense of urgency?
Fast scales, simple harmonies
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Dotted rhythms, ritornellos
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Fast scales, dotted rhythms
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None of the above
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Which statement about the career of Johann Christian Bach is NOT true?
He was employed by the English royal family.
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His music is predominantly "Classical" in style, not Baroque.
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He wrote only operas, in stark contrast to his father.
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He was a skilled organist.
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Which two terms can be used interchangeably when discussing Baroque German worship music?
Chorale, fugue
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Organ, harpsichord
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Cantata, motet
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Hymn, chorale
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Consider the following statement and choose the best response: "Carl Philipp Emanuel Bach's place in music history is somewhat similar to that of Ludwig van Beethoven."
The statement is false, as the two have nothing in common.
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The statement is true, as both were natives of Vienna.
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The statement is true, as both are important bridge figures between two eras of music.
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The statement is true, as both are important influences on the music of Haydn and Mozart.
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Why is it often difficult to perform music written before the mid-1800s as the composers intended it to be heard?
Notation was much less specific, as many composers performed their own pieces using the scores as memory aids.
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A great deal of research into composer's lives and habits is often required before such a performance can be deemed truly authentic.
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Many instruments are made differently in modern times, and thus sound significantly different.
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All of the above.
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