Skip to main content
United States
Jump To
Support
Register or Log In
Support
Register or Log In
Instructors
Browse Products
Getting Started
Students
Browse Products
Getting Started
Chapter 13 Quiz 2
Return to In Performance Student Resources
Chapter 13 Quiz 2
Solo Keyboard Music
Quiz Content
*
not completed
.
The famous concert pianist Lang Lang was inspired by a child by which famous piano piece?
"Moonlight Sonata"
correct
incorrect
Hungarian Rhapsody #2
correct
incorrect
Prelude and
F
ugue in
C
M
inor
correct
incorrect
"Clair de Lune"
correct
incorrect
*
not completed
.
The invention of which instrument below has NOT made keyboard playing more common in the years since the 19th century?
Upright piano
correct
incorrect
Synthesizer
correct
incorrect
Clavichord
correct
incorrect
Electronic organ
correct
incorrect
*
not completed
.
What performance technique is frequently used in piano pieces by Frederic Chopin?
Ritornello
correct
incorrect
Col legno
correct
incorrect
Pizzicato
correct
incorrect
Rubato
correct
incorrect
*
not completed
.
For which keyboard instrument did J. S. Bach NOT specifically write?
Organ
correct
incorrect
Harpischord
correct
incorrect
Piano
correct
incorrect
Clavichord
correct
incorrect
*
not completed
.
In what era did the prelude and fugue become popular?
Medieval
correct
incorrect
Baroque
correct
incorrect
Classical
correct
incorrect
Renaissance
correct
incorrect
*
not completed
.
Consider the following statement and choose the best response: "When a key on a piano is pressed, a hammer inside the instrument's body strikes upward a string or group of strings; in most instances, these strings are in groups of two that vibrate together at the same frequency when struck by a single hammer."
The statement is true.
correct
incorrect
The statement is false because the hammers inside the piano come down, not up.
correct
incorrect
The statement is false because the strings inside a piano are more often grouped in threes, not twos.
correct
incorrect
The statement is false because the strings assigned to a single hammer must vibrate at slightly different frequencies to create the proper overtones.
correct
incorrect
*
not completed
.
Which statement about different types of Romantic character pieces is NOT true?
The waltzes of the era usually contain too much rubato to be suitable for dancing.
correct
incorrect
Nocturnes, or "night pieces," are typically reflective pieces in homophonic texture.
correct
incorrect
Piano etudes, while technically studies of specific finger techniques, are still usually very expressive works of music.
correct
incorrect
Scherzos for the piano, like their symphonic counterparts, are typically fast pieces that were often written for dancing.
correct
incorrect
*
not completed
.
Which composer studied in this chapter was born in Hungary, lived in Paris, and eventually became court composer in Weimar, Germany?
Ludwig van Beethoven
correct
incorrect
Franz Liszt
correct
incorrect
Frederic Chopin
correct
incorrect
Robert Schumann
correct
incorrect
*
not completed
.
Which statement about J. S. Bach's "Fugue in C Minor" is NOT true?
The piece has three parts, or voices.
correct
incorrect
Like most fugues, the piece increases in complexity of rhythm as voices are added and the subject is developed.
correct
incorrect
As in most fugues, the full theme is not stated alone without its countermelodies or accompaniments until the very end of the piece.
correct
incorrect
The piece has an unbroken pulse created by a continuous outpouring of melodic material.
correct
incorrect
*
not completed
.
This type of keyboard piece was written to be performed by amateurs on pianos in private residences; most often, they were either in one long, multi-section movement or in three movements similar in structure to the concerto.
Toccata
correct
incorrect
Piano sonata
correct
incorrect
Character piece
correct
incorrect
Prelude and fugue
correct
incorrect
*
not completed
.
Which keyboard instrument uses a metal blade, or 'tangent', to strike metallic strings inside its body?
Harpsichord
correct
incorrect
Piano
correct
incorrect
Clavichord
correct
incorrect
Synthesizer
correct
incorrect
*
not completed
.
How was the Romantic "character piece" similar to the art songs of the era?
Both were often of comparably short length.
correct
incorrect
Both are considered "programmatic music."
correct
incorrect
Both were popular because of the affordability of the harpsichord during the 19th century.
correct
incorrect
Neither was considered appropriate for performance by truly virtuosic musicians.
correct
incorrect
*
not completed
.
Which composer is NOT correctly paired with an important piece or collection of pieces for solo keyboard music that they composed?
J. S. Bach-
The Well-Tempered Clavier
correct
incorrect
Ludwig van Beethoven-"Waldstein Sonata"
correct
incorrect
Franz Liszt-
Transcendental Etude No. 10 in F
M
inor
correct
incorrect
Claude Debussy-"Moonlight Sonata"
correct
incorrect
*
not completed
.
Consider the following statement and choose the best response: "The short polyphonic form known as the 'fugue' is built on a single theme, or subject, that is stated once by itself, then taken up by other 'lines' as a counter-melody is introduced; the short developmental sections that make up this thematic interplay are called 'episodes'."
The statement is true.
correct
incorrect
The statement is false because the fugue is homophonic, not polyphonic.
correct
incorrect
The statement is false because the subject in a fugue is always in the topmost voice, or line.
correct
incorrect
The statement is false because the short developmental sections in a fugue are called "manipulations."
correct
incorrect
*
not completed
.
Where are the stops on an organ located?
Within easy reach of the keyboard
correct
incorrect
Adjacent to the foot-pedals
correct
incorrect
The foot-pedals are the stops
correct
incorrect
None of the above
correct
incorrect
Previous Question
Submit Quiz
Next Question
Reset
Exit Quiz
Review & Submit
Submit Quiz
Are you sure?
You have some unanswered questions. Do you really want to submit?
Back to top
Printed from , all rights reserved. © Oxford University Press, 2024
Select your Country