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Chapter 32 Quiz
Wolfgang Amadeus Mozart
Quiz Content
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Based on the Baroque model, how did Mozart envision the interaction between orchestra and soloist in a concerto?
As a conversation between equals
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As a contest
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As a consistent pattern of orchestral themes and soloistic variations
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The orchestra is always completely subordinated to the soloist
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Which composer of Italian opera was particularly influential upon Mozart's approach to that genre?
Monteverdi
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Gluck
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Handel
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Haydn
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Which statement about Mozart's early life is NOT true?
The Archbishop of Salzburg was a significant supporter during Mozart's childhood and always believed in the young genius's talent
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His sister Nannerl was a talented musician, as well, known for both her compositions and keyboard playing
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As a child, Mozart sat on Johann Christian Bach's lap while the famous composer improvised at the keyboard
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On a visit to the Sistine Chapel, Mozart astonished observers by writing down from memory a choral work he had heard only once
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What is the nickname for Mozart's 41st symphony in C major?
Pastorale
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The Emperor's Symphony
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The
Jupiter
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The Viennese
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Mozart famously belonged to the Freemasons, a secret male society dedicated to Enlightenment ideals of tolerance, freedom, and humanitarianism.
True
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False
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Mozart passed away within hours of completing the Requiem Mass in D Minor.
True
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False
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Throughout his lifetime, Mozart wrote over six hundred compositions, catalogued in the 19th century by Ludwig von Köchel.
True
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False
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Listen to the excerpt from von Paradies's "Morgenlied Eines Armen Mannes." Which statement about the musical effect in this passage is true?
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The calm, tranquil piano part acts as a contrast to the agitated vocal line
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The vocal line droops with descending figures reminiscent of sighs
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The dynamics remain constant throughout, as variation of dynamic was not a practice of most Classical composers
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The music comes to a brief, dramatic halt early in this excerpt that serves to highlight the tension
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Listen to the excerpt from the first movement of Mozart's Piano Concerto No. 23 in A Major, K. 488. How would you know that this is the second exposition of the principal theme?
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The soloist has joined the orchestra
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The orchestra has joined the soloist
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The music modulates multiple times just in this brief excerpt
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The texture has become strictly polyphonic
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Listen to the excerpt from "Se vuol ballare" from
The Marriage of Figaro
. What musical style does Mozart use, and to what effect, at this point in the aria?
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Courrante, associated with the burgeoning middle class, to express Figaro's hope of advancing up the social ladder
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Allemande, associated with the nobility, to express the Count's threatening presence unknown to Figaro
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Popular folk dance, associated with the servant class, to express Figaro's determination to best the Count
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Minuet, associated with the nobility, to express Figaro's admiration for his employer
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Listen to the excerpt from the Queen of the Night's aria. What does the music reveal about the Queen's character?
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She is practically consumed with her own fury
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She represents the voice of reason in this opera
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She is melancholy and introspective
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She is joyful and full of appreciation for the beauty of life
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