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Chapter 7 Quiz 1
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Chapter 7 Quiz 1
The Symphony
Quiz Content
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Which of the following accurately describes one of the ways in which the symphony changed between the late Classical era and the end of the Romantic era?
At the end of the Romantic era, composers often called for more strings in the violin, viola, and cello sections only.
correct
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The length of symphonies increased dramatically throughout the Romantic era.
correct
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At the end of the Romantic era, the pattern of movements had been codified and standardized far more than during the more eclectic Classical era.
correct
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The average number of musicians had increased from around 60 in the Classical era to over 100 in the Romantic era.
correct
incorrect
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What does the Classical symphony have in common with the concerto?
In both, the final movement is typically slow and reflective.
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Both have opening movements that feature two primary, contrasting melodies.
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Soloists play cadenzas near the ends of movements in both.
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Both are traditionally in three movements.
correct
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How many symphonies did Beethoven compose?
Nine
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Eight
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Ten
correct
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104
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Which device does Dvorak use to create a sense of tension and release in the 2nd movement of his 9th symphony?
The use of woodwinds
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Alternating homophony and polyphony
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Rhythmic motivic development
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Crescendi and decrescendi
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Why is Haydn's 94th symphony often called "The Surprise Symphony"?
Because of the "extra" fifth movement at the end.
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Because it was the first symphony to use percussion instruments.
correct
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Because it did not use either the theme and variations or minuet and trio movement types.
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Because of a sudden, loud chord that sounds at the ends of some phrases.
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Consider the following statement and choose the best reaction: "G. P. Telemann and J. S. Bach are both considered prominent composers of the orchestral suite, an important predecessor of the symphony, even though the former wrote considerably more than the latter."
The statement is true.
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The statement is false because neither composer is particularly well-known for composing orchestral suites.
correct
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The statement is false because both composers wrote comparable numbers of orchestral suites.
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The statement is false because the orchestral suite rose to prominence after the symphony had already been an important genre for several decades.
correct
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Creating numerous moods or styles using the same melodic material is the central concept in what type of commonly used sectional genre?
Minuet and trio
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Gavotte
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Theme and Variations
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Sonata
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Which is true of Ludwig van Beethoven?
He began to go deaf at the age of 39
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Over 40 thousand mourners attended his funeral
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At the time of his death he was one of the best-known, most highly-regarded composers in Europe
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All of the above
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Which Classical movement did the scherzo replace in the Romantic era?
Sonata
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Theme and variations
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Minuet and trio
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Rondo
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Which Romantic composer 'turned back the clock' and wrote in a much more Classically-influenced style?
Anton Dvorak
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Peter Tchaikovsky
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Aaron Copland
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Johannes Brahms
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Which of the following is a key distinction between composers of the symphony before and after the year 1820?
Composers before 1820 typically wrote longer symphonies, while those after 1820 wrote shorter ones on average.
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Typically, composers before 1820 were much more 'nationalistic' in their outlook, writing in distinctive styles by region; after 1820 the idea of nationalism had faded completely from symphonic music.
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Most composers after 1820 wrote relatively small numbers of symphonies compared to the larger outputs of those who wrote symphonies before then.
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The traditional sections of the symphony became much more concrete after 1820, resulting in both fewer instrument types used and smaller ensembles overall.
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Which statement about the symphonic minuet and trio is NOT true?
The minuet and trio is often referred to as a 'stylized dance,' meaning that it is intended for listening rather than dancing.
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The minuet and trio is typically the third movement of the Classical symphony.
correct
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The minuet and trio became fashionable throughout the courts of Europe during the early Baroque era.
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The first section, the minuet, is usually repeated after the slower trio section.
correct
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Which composer discussed in this chapter became director of the National Conservatory of Music in New York?
Antonin Dvorak
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Johannes Brahms
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Felix Mendelssohn
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Franz J. Haydn
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Which dance type is NOT part of J. S. Bach's
Suite No. 3 in D
?
Gavotte
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Bourree
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Gigue
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Pavane
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Which feature of the first movement of Mozart's
Symphony No. 40 in G Minor
contributes to its frantic, urgent nature?
The polyphonic nature of the opening theme.
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The quick transitions between key centers in the development section.
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The return of both principal themes in the relative major key, B-flat major.
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The divide of the two themes between the strings and the brass.
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